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Using “Stealth Education” To Increase Science Literacy
New IMAX movie “Molecules to the MAX” to be released
in 2009
It was the mischievous grins and sparkles in her colleagues’
eyes that reinforced to Linda Schadler that she was on to
something good.
It all started in 2001 when Schadler — a leading
nanotechnology and materials science expert and professor at
Rensselaer Polytechnic Institute — had been talking with the
director of a local children’s museum about the potential for
creating an engaging, fun exhibit to teach kids about atoms and
molecules. Understanding these basic building blocks of the
universe, she said, is critical to comprehending the
environmental, energy, and health issues that we face as a
nation.
Something clicked when the conversation took an astronomical
turn and the director showed Schadler a model of the
planetarium that was slated to be built at the museum.
“The idea for using the planetarium as a venue to teach
about atoms and molecules just popped into my head,” Schadler
said. “And once I had the vision, I couldn’t let it go. “
And that’s how Molecularium — literally a
planetarium show about
molecules —was born.
Schadler worked for more than two years to secure funding
and build a team to bring her vision to fruition, and her
efforts paid off in 2004 with the release of the first
Molecularium show, Riding Snowflakes. The show,
formatted to be played in digital domes such as planetariums,
featured animation based on scientifically accurate molecular
simulations, and garnered much acclaim.
The Molecularium team consisted of Schadler, joined by
colleagues Shekhar Garde and Richard Siegel, both fellow
professors at Rensselaer. The trio is credited as the movie’s
executive producers. The team enlisted the help of a production
studio that would eventually adopt the name Nanotoon
Entertainment. Nanotoon’s V. Owen Bush, Kurt Przybilla, and
Chris Harvey have served as writer/director, writer/producer,
and art director, respectively. Not long after Riding
Snowflakes, the Molecularium team regrouped with an
ambitious plan to make the next movie even better.
The team’s second show, Molecules to the MAX, is
currently in post-production and will be released later this
year in IMAX and other giant screen cinemas around the world.
Not constrained to the confines of planetarium theaters,
Molecules to the MAX has the potential to reach a much
broader audience. Nearly double the length of Riding
Snowflakes, the new film builds on the same core concepts
of interweaving scientifically accurate visuals and information
with a fun storyline and catchy songs revolving around the
exploits of Oxy, Hydro, Hydra, Carbón, and other memorable
characters.
The ultimate goal of the Molcularium project and both shows,
Schadler said, is to boost global science literacy and energize
more young people to pursue careers in science, technology, and
engineering. By carefully engineering the characters, plot,
look, and feel of the film, the Molecularium team sought to
create a movie where viewers would get swept up in the
storyline and learn or re-learn a ton of important science —
without even trying.
“I think adults will learn just as much as children will
from Molecules to the Max,” Schadler said. “Just by
being able to picture the atomic world accurately will prompt
people young and old to ask new questions about the world
around them.”
And as any engineer or scientist would expect, the
Molecularium team has hard data to back up their claims. Around
the time when Riding Snowflakes was released, they
tested groups of children, teenagers, and adults before and
after watching the movie.
“Results of the tests were crystal clear: children had a
fundamentally better understanding of atoms, molecules, and
polymers coming out of the movie than they did going in,”
Schadler said. “The teens and adults did better,
too.”
Right from the start of the project, Schadler said the team
knew the film should have three primary educational themes: the
three states of matter, polymers, and the fact that everything
is made out of atoms and molecules. Water was a natural fit to
illustrate the first theme. Showing the Oxy, Hydro, Hydra, and
other characters shrinking down and zooming into and out of
different everyday objects such as a coin or a toy is a key
story device for conveying the third message. The movie, it was
decided, would also prominently feature polymer chains.
“Nanotoon helped realize the vision, by creating the
characters of Oxy, Hydro, and Hydra, who help Carbón in his
search for life. This creative tool was perfect for showing the
audience that everything — even life – is made up of individual
atoms and molecules,” Schadler said. This “search for life”
storyline is a major component of Molecules to the
MAX.
Throughout the ongoing collaboration, Schadler and the
Molecularium team were required to seek out a middle ground
between their respective languages of education, art, and
science.
“I think the most challenging aspects of working on both
films has been the communication between the engineers, the
artists, and the computers, in that we keep running across
problems that we didn’t expect because we’ve never done this
before – and, in fact, no one has ever done this before,”
Schadler said. “Shekhar’s challenges in creating the molecular
landscapes requested by the artists, but keeping the science
correct, while ensuring that the computation was completed
within a reasonable time frame, led to some of our best
laughs. The artists wanted 22nd century computation from
our 21st century tools. We’ve learned to communicate well in a
hybrid, shared language. That’s been our biggest challenge, but
probably also one of our biggest rewards.”
An early digital version of Molecules to the MAX
was screened last autumn in New York at an industry convention,
and the full IMAX version will be shown to theater owners and
potential film buyers in California next month at the Giant
Screen Cinema Association 2009 Film Expo. The Molecularium team
and giant-screen movie distributor SK Films are working to
build up a buzz and land deals to show the film in IMAX
theaters across the country and around the world. Planning for
a national public premiere later in the year is still under
way.
Molecules to the MAX and Molecularium are owned,
funded, and managed by Rensselaer, with additional funding
support from the U.S. National Science Foundation. The
project is supported by a generous gift from Rensselaer Trustee
Curtis Priem ’82, co-founder of NVIDIA, a world leader in
visual computing technologies. Since Schadler first developed
the idea for Molecularium in 2001, the program has become the
flagship educational outreach project of Rensselaer’s
NSF-funded Nanoscale Science and Engineering Center for
Directed Assembly of Nanostructures.
The Molecularium team is also looking to bring Oxy, Hydra,
and Hydro to the small screen. The group is in discussions to
move the project forward and reach out to more people by
bringing the new movie to television, creating new Molecularium
shows for television, and also making the new Molecularium
content available on DVD.
While Molecularium hasn’t directly affected Schadler’s
materials science research in her laboratory, it has certainly
given her new tools to explain her research and other
scientific concepts without the conversation turning overly
complicated.
“Personally, working on Molecularium has really impacted my
children and how I communicate with my children,” she said.
“Now that they’ve seen the show, when they ask me a scientific
question or a question about my research, I can explain it to
them on a level that I couldn’t explain it to them
before.”
For more information on Molecules to the MAX and
the Molecularium project visit: www.molecularium.com.
For more information on Rensselaer’s NSF Nanoscale Science
and Engineering Center for Directed Assembly of Nanostructures
visit: www.nano.rpi.edu.
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Published
February 2,
2009 |
Contact: Michael Mullaney
Phone: (518) 276-6161
E-mail: mullam@rpi.edu |
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