Rensselaer To Host GameFest 2023 on April 29 in Troy

Rensselaer Polytechnic Institute will host its annual GameFest on Saturday, April 29, from 1 p.m. to 8 p.m. at the Tech Valley Center of Gravity in downtown Troy. The event, free and open to the public, includes a game expo and design competition.

RPI-Designed Experiment Operating Aboard the International Space Station

Building on novel experiments with amyloid fibrils — a type of protein aggregate associated with diseases like diabetes, Alzheimer’s, and Parkinson’s —  a new set of experiments using serum albumins, the primary constituents of blood protein, was sent to the International Space Station (ISS) in March aboard SpaceX 27. This is the fourth time the experiment is being conducted on the ISS.

Steven Cramer Elevated to Institute Professor

Steven Cramer, professor in the Isermann Department of Chemical and Biological Engineering at Rensselaer Polytechnic Institute, has been named Institute Professor, one of the highest and most prestigious honors bestowed upon a Rensselaer faculty member.

Rensselaer Polytechnic Institute Announces Commencement Honorands

Two women leaders in science and engineering will be honored at Rensselaer Polytechnic Institute’s 217th Commencement ceremony on Saturday, May 20. Dr. Marilyn Simons is co-founder and co-chair of the Simons Foundation, one of the most important philanthropic organizations funding research in basic science and mathematics in the United States.

EMPAC Awarded a Teiger Foundation Grant for Shifting Center, A Multi-Year Curatorial Project on the Architecture and Acoustics of Museums

EMPAC/ the Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute received a $75,000 grant from Teiger Foundation for the exhibition Shifting Center (October 28–November 19, 2023), curated by Vic Brooks, Associate Director and Senior Curator of Time-Based Visual Art, and Nida Ghouse, Curator-in-Residence. Shifting Center stages the process of listening to infrasonic landscapes, acoustic architectures, and unsounded instruments. For the first time in a decade, EMPAC turns its concert halls, stages, and studios—which are tuned for acoustically-differentiated experiences of sounding and listening—into a series of exhibition spaces where existing and newly commissioned works of sculpture, moving-image, and sound are presented throughout and beyond its walls.

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